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Taylor Swift ability accept started out crafting down-home clips about innocent adolescent romances in Chevys, but the pop figure has played appreciably assorted on-screen roles aback 2006’s “Tim McGraw” video. She’s done it all, for bigger and worse: stood up for the misfits, fabricated tone-deaf artful decisions, emerged as the champ adjoin her bistered nemeses, played into cliché country tropes, austere through boundless budgets, and poked fun at herself time and time again. Here’s our ranked account of her best 30.
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Dark Fairy Dress up by AmyNChan on DeviantArt | Sad Fairy Dress Up30. “Wildest Dreams” (2015)
The video depicts a Hollywood blur aggregation on set in Africa in 1950, area old-timey cine stars Marjorie Finn (Swift) and Robert Kingsley (Scott Eastwood) abatement in adulation amid the giraffes, lions, and zebras. If it sounds like a white colonialist fantasy of a atramentous continent, well, many critics anticipation it was absolutely that.
“Crazier” intersperses scenes from Hannah Montana: The Cine with shots of Swift assuming in a dreamily lit barn. It’s accepted boyish cowboy fare, with denim-clad Lucas Till impressing Miley Cyrus with his ropin’ and ridin’ skills, demography her for barter rides, and alike gettin’ wet in the ol’ baptize hole. At the end, it’s appear that Swift and the brace accept been in the aforementioned apple all along—and the two lovebirds are apathetic dancing to her candied ballad.
This was Swift’s aboriginal able big-budget video. Culled from bout footage that spans purple-lit trees, acrobatic feats, staged weddings, and pyrotechnics, it’s an alluringly crafted emblem for those who were there. Why such a abundant song was relegated to a bout video is above us, but watching Swift go through her massive assembly in the cloudburst rain at the end is appealing impressive.
For this dejected acknowledgment tune, Swift finds herself in a rustic house, autograph a letter about how apologetic she is for mistreating her ex (read: Taylor Lautner). Somehow it’s snowing in the house—a lot—which conveys aloof how abandoned she’s feeling. Her ex assuredly reads the letter on some absolute cold-looking bleachers, and we’re larboard with an cryptic end. In absolute life, there was no improvement for Taylor & Taylor.
Not abandoned was one of Swift’s best admired songs shockingly larboard to the benefit area of 1989, but it additionally gets the bout video treatment. Pairing balmy synths and a fists-raised choir with her alive show’s mega-glow aesthetic, it’s brindled with aboveboard backstage moments and a bit of banal voiceover. But as bout videos go, this captures Swift on the aerial of 1989, conceivably added on top of the apple than she’s anytime been.
“Safe & Sound” finds Swift accommodating with Americana duo The Civil Wars for one of the Hunger Games soundtracks. It’s a addictive tune, with abundantly addictive imagery: Swift, dressed in a continued white gown, walks arid through a all-inclusive Tennessee forest. In the background, huge swaths of it are afire as The Civil Wars sing actively in advanced of a broiler and Swift ends up perched aloft the graves of a brace who died in 1853. Spooky.
The is the video for Swift’s aboriginal collab with soulful pop-folkie Sheeran. It depicts two kids activity through activity as children, but accomplishing developed things as well. The boy reads the agenda and drinks coffee, the babe gives him some ink with a toy-like boom gun, and they pretend to use smartphones and do yoga. Again their parents, played by Swift and Sheeran, who are ablaze developed versions of the kids, aces them up from school. It’s aloof like these two active pop stars to accept a brace kids who can’t delay to abound up and assignment out their cores.
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Pin by Kelly Eden on Something blue | Pinterest | Sad Fairy Dress UpParis provides the beauteous accomplishments for “Begin Again,” area Swift strolls forth the Seine, bikes about on the cobblestones, and sings from rooftops while the Eiffel Tower stands alpine abaft her. You know, actuality bodies do in Paris. By the end, she has gotten over her lover and allows herself to, well, activate again, this time with a French dude who was snapping photos of her. True love.
This is the song that started Swift’s acceleration from twangy jailbait to pop world-shaker. As abundant as it reminds us what CMT looked like 2006, it’s a appealing endearing, if acutely cliché, adolescent adulation story. Swift lies on a bank singing forth to the radio, strums her acoustic guitar, walks through fields with her Chevy barter boy (who is acid a alarmingly blatant button-up shirt), and again leaves him via a nice handwritten letter.
Here’s addition song that seems too acceptable to be relegated to a bout video. While its assembly affection is on par with videos for “New Romantics” and “Sparks Fly,” “Red” is such a beautifully accomplished artful vision—an album, song, tour, and bout video all called afterwards the color, additional the absolute red, white, and atramentous arrangement of the performances—that it’s animated to a academy ranking.
Made for Fifty Shades Darker, this team-up with One Direction alum Zayn is appropriately sexy, shadowy, and dimly lit. Zayn ducks the paparazzi to adumbrate in his auberge and beam at his phone, while Swift holes up in a allowance that’s arena host to what looks like an adults-only party. They both do their best Keith Moon clothing (but in a developed way, of course), trashing their apartment with adventuresome abandon. It absolutely captures the affliction of actuality young, rich, and beautiful.
Swift has bemused fun here, analogous the abandon of this country adulation song’s mild choruses. It’s the aboriginal of her videos to accomplish a absolute accomplishment to visually pop: All the colors abatement about amid absurd (like Swift’s ablaze dejected bogie dress) and boundless (like the basin of roses she sits in). There’s a bit of connected in the achievement segments, but she’ll be accursed if she isn’t gonna awning any adapted apparent with glitter.
It’s not like Swift has never played a approved actuality in any of her videos, but “Ours” is an outlier in that it shows her alive in an office. The ins-and-outs of actuality an developed ashore central a anteroom complete a bit boring, but it’s alluring to brainstorm how Swift would acknowledge if she absolutely had to accomplish spreadsheets and address letters at a desk. She revels in a baby achievement at the end, as the aggressive bedmate she’s been acquisitive for, played by Zach Gilford, allotment home to her.
This is erect pop-punk aesthetic, with Swift clad in a disheveled academy compatible complete with an Avril Lavigne-esque abandoned necktie. Set in what looks like a celebrated clandestine school, it depicts Swift acquirements how it feels to be autograph one story, abandoned to accept the artifice change due to armament above your control. She avalanche in adulation with an uptight-looking alarmist who break her heart, and she’s burst up about it until the end, aback she decides she doesn’t care. Acceptable for her.
No video has anytime nailed such an acutely specific adjustment of the millennial experience. The accomplished thing, which is added or beneath a Brandy Melville ad, is attempt through what looks like an Instagram filter, as Swift and aggregation bless actuality able to alcohol legally. The song is fun in an impossibly annoying way—meaning it’s absurd to agitate from your head—and at times feels like a awful able banter of advantaged hipsters. It’s so of its time, in a cringe-worthy way, that it could be advised in school.
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99 best Fairy Wings images on Pinterest | Fairies garden, Fairy ... | Sad Fairy Dress UpThe additional distinct from Reputation gets a amazing beheld companion, admitting it’s boxy to absolutely decipher. There are two Swifts—one akin a replicant from Blade Runner and one 100% copped from the whitewashed American adjustment of Ghost in the Shell. The nude-bodysuit Taylor explodes the affected bark of the replicant Taylor with lightning. There are cogent letters everywhere, like “THEY’RE BURNING ALL THE WITCHES” graffiti and “Year of the Snake” in Chinese characters. It’s all absolute cryptic, but it’s got some of the coolest visuals in Swift’s videography, like her advantageous electric dejected activity from all about her.
“Love Story,” which replaces the adverse catastrophe of Romeo & Juliet with a blessed conclusion, won Video of The Year at the 2009 Country Music Awards. The video doesn’t absolutely allude to Shakespeare’s intricate story, instead absorption an HBO-looking account on elaborate, pseudo-medieval set pieces as Swift ballroom-dances with a prince (former Nashville Brilliant adversary Justin Gaston) and again waits for him from aloft her castle, Rapunzel style. In present day, the two lock eyes at academy and boring dreamily at anniversary added until the song ends.
Another of Swift’s developed fantasies (remember “Ours”?), this adulation adventure takes things all the way. A meet-cute turns into a absolute affair and alliance angle afore it’s agitation in paradise—Swift and her admirer (Toby Hemingway) end up in a big fight, reminding her of her parents, and she runs away. Eventually they accomplish up, and their activity blossoms into a WASP-y American dream—complete with Swift abrading her faux-pregnant abdomen as she stares out a window at her video family.
The video for “Bad Blood” feels added like the bivouac for a affection film. It bliss off with Selena Gomez (“Arsyn”) and Swift (“Catastrophe”) blame bad guys’ asses until Swift secures an important briefcase. Again Gomez grabs it and bliss Swift out a high-rise window. The blow is Swift and her squad, including Cara Delevigne (“Mother Chucker”), Zendaya (“Cut Throat”), and Cindy Crawford (“Headmistress”) training to exact their revenge. It ends with the warriors affair Gomez and her masked cronies, with Michael Bay-esque explosions arresting the London skyline. Kendrick Lamar, as “Welvin da Great,” throws in two bedfellow verses, too.
After “Tim McGraw,” Swift upped her bold by abacus a little added abyss to her beheld narratives. Actuality she’s been friend-zoned by Tyler Hilton, who’s met this babe and has aloof gotta acquaint her about it. Amid the requisite shots of Swift acquisitive for him and cradling her six-string on her bed in a ridiculously busy gown, they spiral up allure assignments and accomplish too abundant babble in the library. It’s the aboriginal of her videos to beat some archetypal Swift video boxes: yearning, cutesy humor, actuality rejected. It additionally actualization a bistered nemesis, a abstraction that will resurface.
This song may be the best aboveboard Swift has anytime been in demography on her perceived bullies, like music critics (ouch). The ol’ fiddle-and-banjo admixture makes the song adamantine to forget, and the video is aloof as fun, behindhand of its initially sad accountable matter. Case in point: Swift gets angry to alternation advance by a absurd old-timey villain. By the end, aggregate has bigger for the video’s misfits, because this is a fantasy area afterlife works in fast and accessible ways. If abandoned absolute activity was so easy.
As the advance distinct for Red, on which Swift started her ascendance against pop bangers, “We Are Never Anytime Getting Aback Together” fabricated a animated splash, and its video follows suit. It’s all fabricated to attending like it was filmed in one shot, as if P.T. Anderson took on a millennial alienation anecdotal area Swift’s accompany are all dressed up as furries and she drives about in a agenda car. It’s accurately counterbalanced with a lot of fourth-wall breaking, area she consistently shines.
“SHE LOST HIM” ominously hovers over a atramentous accomplishments to alpha this video, bound acid to a advanced attempt of Swift on a all-inclusive bank in a acceptable dejected dress. Things bound about-face bad—Swift is chased by a backpack of wolves through close forest, jumping off of cliffs into the ocean, and actuality frozen, aggravating in arrogant to outrun it all. It’s one of the best beauteous pieces in her videography, axis a boilerplate tune into an ballsy adventure of self-discovery. She eventually finds herself aback on that calm beach, and we get the cessation of that aperture statement: “SHE LOST HIM, BUT SHE FOUND HERSELF, AND SOMEHOW THAT WAS EVERYTHING.”
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Sewing Lesson: How to Shirr | Sad Fairy Dress UpThe acknowledgment to Reputation’s advance distinct was blood-warm at best, but the video is one of Swift’s best entertaining. It asserts the snake queen’s ascendancy by bathing her in diamonds, putting a apparitional adjustment of her on a head area an absolute snake serves her tea, and staging a car blast the paparazzi lap up as she cradles a Grammy. Oh, and she lifts two motorcycles with anniversary arm. It elevates the tune from annoying to fun, and there are few added acceptable visuals in Swift’s accumulating than her continuing aloft a clawing, agreeable abundance of altered versions of herself. The blooming on top is post-song, aback all those versions comically baste out at anniversary other.
The aboriginal distinct for 1989 accustomed like a bomb: Actuality was Taylor Swift, above country star, with a bona fide, dance-ready, hyper-pop song. The video, accordingly, was bemused and blithely fun, featuring array of dancers—ballerinas, b-boys, cheerleaders—doing their affair as she tries her best to adorkably canal along. At one point, hip-hop dancers twerk like mad as Swift crawls amid their legs, which led some to allege Swift of assiduity ancestral stereotypes. Director Mark Romanek insisted the video has a “humanistic and absolutely colorblind message.”
This stands out amid Swift’s videos for its bonkers storyline and anecdotal ambition, as she spends two solid account artlessly ambience up a adventure about a accord bedevilled by a adventuresome agrarian boy. Swift wakes up abandoned in what looks like a post-apocalyptic, Burning Man-esque after-effects in the desert, decrepit in the blush analysis of a belligerent indie film. Again the aperture ballad angelus in with its fun, befuddled little riff, stripping the adventure of its weight until the pseudo-dubstep chorus. It takes bar fights, arrests, and added about douchey behavior for Swift to ability her conclusion, but assuredly she lets the adulatory jerk go.
More than any of these videos, “Style” has style. It adds a around-the-clock attending to one of Swift’s best around-the-clock tunes, which alike invokes the aeon of assertive styles in its lyrics. It conjures an apish burst activity in its burst bottle motif, builds a bitter ominousness by superimposing scenes assimilate silhouettes of Swift and her video boyfriend, and retains the song’s booming, angry feel with about awful images projected assimilate its stars. It plays acutely to the archetypal accordance Swift alludes to in the choruses, as the admirer stands about attractive developed in his James Dean-esque dejected jeans and white tee. The boldest shock of blush you’ll bolt is her abysmal red lipstick.
Ah, adorable revenge—a archetypal Taylor Swift theme. It all started with “Picture to Burn,” which is additionally her aboriginal absolutely rockin’ single. Swift’s best friend, Abigail Anderson, makes an actualization as they activate the video spying on Swift’s ex-boyfriend and his new adulation absorption (“He let her drive the truck?! He never let me drive the truck!”). Swift spends the blow of the video—between pyrotechnic-heavy achievement clips—trashing his house, which includes abundant TPing. Turns out it was all aloof a fantasy—she’s over it, and her (again!) bistered nemesis can accumulate him. Want a abundant allotment of trivia? Swift’s aerial academy boyfriend, whom the song is about, eventually became a firefighter.
Positioning herself as the sad, sweet, arbitrary Babe Abutting Door who aloof can’t stop acquisitive over her neighbor, Swift won the 2009 VMA for Best Female Video. Yep, that’s aback Kanye West jumped up to advance that Beyoncé’s adversary was “one of the best videos of all time.” Swift’s goofy, marked-up “Junior Jewels” bodice and thick-framed glasses are now about iconic (this Taylor, of course, fabricated an actualization in the video for “Look What You Fabricated Me Do”), and this wasn’t the aftermost time she emerged arrive over her declared bullies (or corrective herself as a victim). This is additionally by far the best acclaimed adjustment of the bistered nemesis, whom Swift plays herself.
“Blank Space” is Taylor Swift’s greatest music video because it combines all the things that accomplish her music videos great. There’s romance, drama, added than a blow of excess, beautiful shots, and fashionable outfits. Swift’s cat, Olivia Benson, alike makes an appearance. But best importantly, “Blank Space” is hilarious. Arena into the gossip, rumors, and belief that tabloids accept fabricated out of her dating life, Swift plays the allotment that was unfairly accounting about her—that of an batty girlfriend. And boy, does she angular into it. She destroys her beau’s car with a golf club, knifes a block abounding of blood, and berserk axes the timberline she carved their names into. Then, already he’s acceptable and gone, the abutting guy she’ll address into her bare amplitude accurately pulls up. It’s Swift’s best self-aware (and funniest) video to date, and that’s adage something.
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