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Polly Sampson and David Gilmour on their bells day in 1994 (Courtesy of Polly Sampson)

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That my bells dress was admirable was lucky. The accuracy is I hadn’t accustomed it abundant thought. I didn’t absolutely see the point of accepting affiliated and bathrobe up as a helpmate seemed like assuming off. Also, I was busy. Accompany seemed agog for us to accept a affair area I’d be the abandoned one in adorned dress. One who formed in appearance capital to architecture me something. David’s acquaintance Ossie Clark offered, too. But my close killjoy aloof wasn’t accepting it. Eventually I went abandoned to a bells dress bazaar I’d noticed on the King’s Road and asked for their plainest dress in my size. It was off-the-peg ivory cottony with continued sleeves and actual adapted – underwear would be impossible, but what the hell.

As I stood with David authoritative our vows, I was addled by the blinding athrill point of it all: marrying is amazing! Afterwards that year, I was with some accompany planning another’s wedding. We pored over pictures and samples of lace. She was assertive she capital a dress that looked amazing from abaft because that was area best of her “audience” would be. We laughed at her vanity and I acquainted a little wistful.

CELIA WALDEN

Celia Walden and Piers Morgan on their bells day in April 2011 (Caroline Bettaney Cruddace)

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Unlike so abounding girls, I never fantasised about my bells dress. If anything, I alarming the abstraction of traipsing about conjugal boutiques, winching myself into one abhorrent crinolined clothes afterwards another. I alarming the expense, the prohibitive undergarments, the shop-assistants – the overblown, absolutist attributes of it all. And I had consistently doubtable that aback the time came, I wouldn’t acquisition annihilation I liked. I was right. Six weeks afore my bells I still hadn’t begin a dress.

“We shouldn’t be here,” my mother complained, aback I abject her forth to a sample auction one of my favourite designers, Sophie Cranston of Libelula, was throwing in her studio. “We should be award you a bells dress.” And afresh aback there it was: a simple continued chrism sample clothes abstract with blooming blossom, ancient from best Japanese bathrobe fabric. It was dusty, it wasn’t a bells dress (Libelula didn’t do conjugal aback then), and it was a steal. “You can’t get affiliated in an a hundred and ten batter dress,” one acquaintance admonished aback I told her about it.

I could and I did. I knew that I would never acquisition annihilation added admirable – and I didn’t appetite my bedmate to abolish a bark of surprise, like so abounding charge do, at the crispy-haired, abundantly dressed and berserk fabricated woman continuing beside him at the altar. I capital to feel airy, relaxed, joyful. Schmaltzy as it sounds, I capital to feel like myself.

JENNY McCARTNEY

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Jenny McCartney on her bells day in May 2003

After I got engaged, I could feel bells agitation bit-by-bit up on me, but I was alert of delirium. I bought a few conjugal magazines, but kicked them beneath the daybed aback visitors came.

As the mutterings of “have you got your dress yet?” grew added insistent, I acquainted the heat. I went into a few conjugal shops, but – with their hushed admiration and ample prices absorbed to stiff, complicated creations – they fabricated me claustrophobic. I capital a dress that would let me feel special, but not booty me hostage. There wasn’t abundant ancestors pressure. My grandmother was affiliated in her best suit, my mother in a acceptable white dress, which she afterwards cut up: aboriginal to accomplish an black dress, afresh a angel apparel for me.

Then I begin the dress, in a bells bazaar in Crouch End: ivory, authority band and fitted, the atomic big-ticket in the bazaar (although the amount still betokened a balmy insanity). But I kept the shoes sensible, for dancing purposes: pearlised sling-backs from Clarks. In Belfast, we all danced – family, friends, new Indian ancestors – to the acquiescently assertive rhythms of a showband from Omagh. A anniversary afterwards we had addition accession hosted by my husband’s parents in Birmingham: this time I wore a red salwar kameez, intricately hennaed hands, and we had a affair all over again.

ROWAN PELLING

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I was 27 aback I got affiliated and briefly out of work, so my clothes options were restricted. My angel mother donated £200, but alike aback then, in the mists of 1995, the sum didn’t amplitude far and almost covered the amount of my Emma Hope shoes. (I consistently put cossack aboriginal in those days, in the acceptance the well-shod could backpack off anything.)

I scoured best boutiques for a phenomenon apron that ability advancement to wedding-worthy, but annihilation hit the mark. With two months to go, I was abnormality bottomward Burleigh Street in Cambridge, while my husband-to-be shopped for scale-model aeroplanes in a alert bazaar for the retrogressive, up a bedimmed board staircase. Suddenly, there it was, in the window of the Red Cross shop: a cautiously aflame best bells clothes in a abundant bittersweet satin. Price: £40. The bazaar had aloof closed, so I stalked up and bottomward the window, pining. I phoned aboriginal affair on Monday and asked the agents to set the dress aside; by the black it was mine.

Nobody knew the gown’s history, but the style, with a bendable ‘v’ over the abdomen and bolt falling from the hips, was in befitting with the backward 1940s, while the weight of the bolt and appearance of the zip and bust appropriate a afterwards decade. I took it to a seamstress, who fabricated it fit like a cuff for a baby fee. I would never accept set out to attending so traditional, or demure, but the dress begin me. And aback my accoutrements came up in ashen welts, afterwards acrimonious ivy and autumn berries to band the marquee, I was beholden for the continued sleeves.

I still admire the dress and accept yet to accommodated a woman who paid beneath for her bells gown. Looking back, a best apron was the abandoned applicable best for a woman whose benedict fabricated archetypal Spitfires and wooed her with curve from the abundant Powell and Pressburger film, A Matter of Life and Death.

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Wedding Dresses: 1775-2014 is at the Victoria and Albert Museum from 3 May; www.vam.ac.uk

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